I Know You, Henry Rollins (Poem w/Audio)

Henry Rollins reciting 'I Know You' >>> I Know You

I know you
you were too short
you had bad skin
you couldn't talk to them very well
words didn't seem to work
they lied when they came out of your mouth
you tried so hard to understand them
you wanted to be part of what was happening
you saw them having fun
and it seemed like such a mystery
almost magic
made you think that there was something wrong with you
you'd look in the mirror trying to find it
you thought that you were ugly
and that everyone was looking at you
so you learned to be invisible
to look down
to avoid conversation
the hours
days
weekends
ah the weekend nights, alone
where were you
in the basement?
in the attic?
in your room?
working some job?
just to have something to do
just to have a place to put yourself
just to have a way to get away from them
a chance to get away from the ones that made you feel so strange and ill-at-ease inside yourself
did you ever get invited to one of their parties
you sat and wondered if you would go or not
for hours you imagined the scenarios that might transpire
they would laugh at you
if you would know what to do
if you would have the right things on
if they would notice that you came from a different planet
did you get all brave in your thoughts
like you were going to be able to go in there and deal with it
and have a great time
did you think that you might be "the life of the party"
that all these people were gonna talk to you
and you would find out that you were wrong
that you had a lot of friends
and you weren't so strange after all?
did you end up going
did they mess with you
did they single you out
did you find out that you were invited
because they thought you were so weird
yeah, I think I know you
you spent a lot of time full of hate
a hate that was pure as sunshine
a hate that saw for miles
a hate that kept you up at night
a hate that filled your every waking moment
a hate that carried you for a long time
yes I think I know you
you couldn't figure out what they saw and the way they lived
home was not home
your room was home
a corner was home
the place they weren't- that was home
I know you
you're sensitive
and you hide it, because you fear getting stepped on one more time
it seems that when you show a part of yourself that is the least bit vulnerable
someone takes advantage of you
one of them steps on you
they mistake kindness for weakness
but you know the difference
you've been the brunt of their weakness for years
and strength is something you know a bit about
because you had to be strong to keep yourself alive
you know yourself very well now
and you don't trust people
you know them too well
you try to find that "special person"
someone you can be with
someone you can touch
someone you can talk to
someone you won't feel so strange around
and you found that they don't really exist
you feel closer to people on movie screens
yeah, I think I know you
you spend a lot of time daydreaming
and people have made comment to that effect
telling you that you're "self-involved" and "self-centered"
but they don't know, do they
about the long nightshifts alone
about the years of keeping yourself company
all the nights you wrapped your arms around yourself
so you could imagine someone holding you
the hours of indecision
self-doubt
the intense depression
the blinding hate
the rage that made you stagger
the devastation of rejection
well
maybe they do know
but if they do
they sure do a good job of hiding it
it astounds you how they can be so smooth
how they seem to pass through life as if life itself was some divine gift
and it infuriates you to watch yourself with your apparent skill,
and finding every way possible to screw it up
for you, life is a long trip
terrifying and wonderful
birds sing to you at night
the rain and the sun
the changing seasons
are true friends
solitude is a hard won ally
faithful and patient
yeah, I think I know you

Henry Rollins

Come in and Burn - An Unofficial Henry Rollins and Rollins Band Site

From An Atlas of the Difficult World, Adrienne Rich

I know you are reading this poem
late, before leaving your office
of the one intense yellow lamp-spot and the darkening window
in the lassitude of a building faded to quiet
long after rush-hour. I know you are reading this poem
standing up in a bookstore far from the ocean
on a grey day of early spring, faint flakes driven
across the plains' enormous spaces around you.
I know you are reading this poem
in a room where too much has happened for you to bear
where the bedclothes lie in stagnant coils on the bed
and the open valise speaks of flight
but you cannot leave yet. I know you are reading this poem
as the underground train loses momentum and before running
up the stairs
toward a new kind of love
your life has never allowed.
I know you are reading this poem by the light
of the television screen where soundless images jerk and slide
while you wait for the newscast from the intifada.
I know you are reading this poem in a waiting-room
of eyes met and unmeeting, of identity with strangers.
I know you are reading this poem by fluorescent light
in the boredom and fatigue of the young who are counted out,
count themselves out, at too early an age. I know
you are reading this poem through your failing sight, the thick
lens enlarging these letters beyond all meaning yet you read on
because even the alphabet is precious.
I know you are reading this poem as you pace beside the stove
warming milk, a crying child on your shoulder, a book in your
hand
because life is short and you too are thirsty.
I know you are reading this poem which is not in your language
guessing at some words while others keep you reading
and I want to know which words they are.
I know you are reading this poem listening for something, torn
between bitterness and hope
turning back once again to the task you cannot refuse.
I know you are reading this poem because there is nothing else
left to read
there where you have landed, stripped as you are.

Adrienne Rich

The Death & Life of Ice Cream

from "Asphodel, That Greeny Flower" by William Carlos Williams

Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers. So that
I was cheered
when I came first to know
that there were flowers also
in hell.
Today
I'm filled with the fading memory of those flowers
that we both loved,
even to this poor
colorless thing-
I saw it
when I was a child-
little prized among the living
but the dead see,
asking among themselves:
What do I remember
that was shaped
as this thing is shaped?
while our eyes fill
with tears.
Of love, abiding love
it will be telling
though too weak a wash of crimson
colors it
to make it wholly credible.
There is something
something urgent
I have to say to you
and you alone
but it must wait
while I drink in
the joy of your approach,
perhaps for the last time.
And so
with fear in my heart
I drag it out
and keep on talking
for I dare not stop.
Listen while I talk on
against time.
It will not be
for long.
I have forgot
and yet I see clearly enough
something
central to the sky
which ranges round it.
An odor
springs from it!
A sweetest odor!
Honeysuckle! And now
there comes the buzzing of a bee!
and a whole flood
of sister memories!
Only give me time,
time to recall them
before I shall speak out.
Give me time,
time.
When I was a boy
I kept a book
to which, from time
to time,
I added pressed flowers
until, after a time,
I had a good collection.
The asphodel,
forebodingly,
among them.
I bring you,
reawakened,
a memory of those flowers.
They were sweet
when I pressed them
and retained
something of their sweetness
a long time.
It is a curious odor,
a moral odor,
that brings me
near to you.
The color
was the first to go.
There had come to me
a challenge,
your dear self,
mortal as I was,
the lily's throat
to the hummingbird!
Endless wealth,
I thought,
held out its arms to me.
A thousand tropics
in an apple blossom.
The generous earth itself
gave us lief.
The whole world
became my garden!
But the sea
which no one tends
is also a garden
when the sun strikes it
and the waves
are wakened.
I have seen it
and so have you
when it puts all flowers
to shame.
Too, there are the starfish
stiffened by the sun
and other sea wrack
and weeds. We knew that
along with the rest of it
for we were born by the sea,
knew its rose hedges
to the very water's brink.
There the pink mallow grows
and in their season
strawberries
and there, later,
we went to gather
the wild plum.
I cannot say
that I have gone to hell
for your love
but often
found myself there
in your pursuit.
I do not like it
and wanted to be
in heaven. Hear me out.
Do not turn away.
I have learned much in my life
from books
and out of them
about love.
Death
is not the end of it.
There is a hierarchy
which can be attained,
I think,
in its service.
Its guerdon
is a fairy flower;
a cat of twenty lives.
If no one came to try it
the world
would be the loser.
It has been
for you and me
as one who watches a storm
come in over the water.
We have stood
from year to year
before the spectacle of our lives
with joined hands.
The storm unfolds.
Lightning
plays about the edges of the clouds.
The sky to the north
is placid,
blue in the afterglow
as the storm piles up.
It is a flower
that will soon reach
the apex of its bloom.
We danced,
in our minds,
and read a book together.
You remember?
It was a serious book.
And so books
entered our lives.
The sea! The sea!
Always
when I think of the sea
there comes to mind
the Iliad
and Helen's public fault
that bred it.
Were it not for that
there would have been
no poem but the world
if we had remembered,
those crimson petals
spilled among the stones,
would have called it simply
murder.
The sexual orchid that bloomed then
sending so many
disinterested
men to their graves
has left its memory
to a race of fools
or heroes
if silence is a virtue.
The sea alone
with its multiplicity
holds any hope.
The storm
has proven abortive
but we remain
after the thoughts it roused
to
re-cement our lives.
It is the mind
the mind
that must be cured
short of death's
intervention,
and the will becomes again
a garden. The poem
is complex and the place made
in our lives
for the poem.
Silence can be complex too,
but you do not get far
with silence.
Begin again.
It is like Homer's
catalogue of ships:
it fills up the time.
I speak in figures,
well enough, the dresses
you wear are figures also,
we could not meet
otherwise. When I speak
of flowers
it is to recall
that at one time
we were young.
All women are not Helen,
I know that,
but have Helen in their hearts.
My sweet,
you have it also, therefore
I love you
and could not love you otherwise.
Imagine you saw
a field made up of women
all silver-white.
What should you do
but love them?
The storm bursts
or fades! it is not
the end of the world.
Love is something else,
or so I thought it,
a garden which expands,
though I knew you as a woman
and never thought otherwise,
until the whole sea
has been taken up
and all its gardens.
It was the love of love,
the love that swallows up all else,
a grateful love,
a love of nature, of people,
of animals,
a love engendering
gentleness and goodness
that moved me
and that I saw in you.
I should have known,
though I did not,
that the lily-of-the-valley
is a flower makes many ill
who whiff it.
We had our children,
rivals in the general onslaught.
I put them aside
though I cared for them.
as well as any man
could care for his children
according to my lights.
You understand
I had to meet you
after the event
and have still to meet you.
Love
to which you too shall bow
along with me-
a flower
a weakest flower
shall be our trust
and not because
we are too feeble
to do otherwise
but because
at the height of my power
I risked what I had to do,
therefore to prove
that we love each other
while my very bones sweated
that I could not cry to you
in the act.
Of asphodel, that greeny flower,
I come, my sweet,
to sing to you!
My heart rouses
thinking to bring you news
of something
that concerns you
and concerns many men. Look at
what passes for the new.
You will not find it there but in
despised poems.
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
Hear me out
for I too am concerned
and every man
who wants to die at peace in his bed
besides.

William Carlos Williams

To the God of Pain, by Sarojini Naidu

Unwilling priestess in thy cruel fane,

Long hast thou held me, pitiless god of Pain

Bound to thy worship by reluctant vows

My tired breast girt with suffering, and my brows

Anointed with perpetual weariness

Long have I borne thy service, through the stress

Of righteous years, sad days and slumberless nights

Performing thine inexorable rites.

For thy dark altars, balm nor milk nor rice,

But mine own soul thou’st ta’en for sacrifice;

All the rich honey of my youth’s desire,

And all the sweet oils from my crushed life drawn,

And all my flower-like dreams and gem-like fire

Of hopes up-leaping like the light of dawn.

I have no more to give, all that was mine

Is laid, a wrested tribute, at thy shrine;

Let me depart, for my whole soul is wrung,

And all my cheerless orisons are sung;

Let me depart, with faint limbs let me creep

To some dim shade and sink me down to sleep.

Sarojini Naidu

Forgetfulness, Billy Collins

Velcome

How Vlad-Vampirian of me :)

So this is the blog for random poetry-literature-art-film/video- music, that i find in my travels on the world wide Web.

Enjoy my fellow www's!!

~lily